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Photo essay: Multiplexes reopen after lockdown

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Although multiplexes have reopened, the audience seems to be keeping away. Fortune India visited a few such theatres and was greeted with scattered crowds, empty corridors, and vacant seats.
Photo essay: Multiplexes reopen after lockdown
 Credits: Narendra Bisht

It has been four days since cinema halls reopened in the country, and it seems only a few have mustered enough courage to venture out to watch a movie. The Covid-19 pandemic hit theatres hard and they were shut for over seven months. Finally, in the beginning of October, the government, under its Unlock 5.0 guidelines, allowed theatres outside the containment zones to open from October 15. The government also issued a fresh standard operating procedure and all multiplexes and single-screen operators were required to adhere to it.

Although the cinema halls have reopened, the audience seems to be thin. Fortune India visited a few such theatres and was greeted with scattered crowds, empty corridors, and vacant seats. It wouldn't be too far-fetched to say that it seemed like a scene plucked out from a post-apocalyptic movie.

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 Credits: Narendra Bisht

An empty ticketing counter at a cinema hall in Greater Noida as a lone moviegoer looks on.

 Credits: Narendra Bisht

One is greeted by an empty corridor at a multiplex in Greater Noida.

 Credits: Narendra Bisht

Theatres have been asked to adhere to a strict standard operating procedure and follow safety guidelines.

 Credits: Narendra Bisht

Strict protocols to maintain social distancing have been put in place.

 Credits: Narendra Bisht

An empty food counter at a multiplex in Greater Noida.

 Credits: Narendra Bisht

Fumigation and sanitisation being carried out at a multiplex in Greater Noida.

 Credits: Narendra Bisht

Although it has only been four days since theatres have reopened, the response from the audience has been poor.

 Credits: Narendra Bisht

It remains to be seen how multiplexes and single -screen theatres financially recover from the pandemic.

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