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If you work in media, technology, or culture today, you’ve probably noticed something: the walls that once separated these worlds have quietly disappeared. What used to be neat, well-defined industries now bleed into each other. Talent shapes technology. Technology with artistry shapes content. Content drives commerce. And commerce, in turn, fuels talent.
This isn’t a future that’s coming, it’s already here. And it’s changing the way we create, distribute, and even think about culture.
We’ve moved past the old “platform-first” era, where your only job was to get on the right app or network. Now, audiences don’t just watch. They remix. They debate. They turn a song into a hundred memes before lunch, and by dinner it’s part of a brand campaign. The conversation never ends, it simply shifts mediums.
September 2025
2025 is shaping up to be the year of electric car sales. In a first, India’s electric vehicles (EV) industry crossed the sales milestone of 100,000 units in FY25, fuelled by a slew of launches by major players, including Tata Motors, M&M, Ashok Leyland, JSW MG Motor, Hyundai, BMW, and Mercedes-Benz. The issue also looks at the challenges ahead for Tata Sons chairman N. Chandrasekaran in his third term, and India’s possible responses to U.S. president Donald Trump’s 50% tariff on Indian goods. Read these compelling stories in the latest issue of Fortune India.
For all the excitement around artificial intelligence and automation, it’s important to remember one thing: technology doesn’t replace imagination. At its best, it takes away friction, shortens timelines, and opens up possibilities that were once out of reach.
An idea still begins with a spark, a creator, an artist, a storyteller. What technology does is accelerate that spark into something tangible, scalable, and global. It can prototype an idea in hours, help creators collaborate across continents, and ensure that their work finds the right audience at the right time.
In other words, technology sits beside the creator, not in their place. The brush is still guided by a human hand; the canvas has just become much larger.
The best content doesn’t stop its journey at consumption, it gets carried forward. It sparks conversations, shapes perception, and builds communities that live long after the “release date.”
India is in a rare position here. We’ve got thousands of years of storytelling behind us and one of the youngest, most digitally fluent populations on Earth. We can tell a story about a street in Lucknow and have it resonate in Los Angeles. We can reimagine an ancient epic in a way that makes sense to a teenager in Seoul. That’s cultural capital and if we treat it with ambition, it’s one of our greatest exports.
A great story without a way to reach the right audience is like a song no one hears. In today’s fragmented media landscape, distribution isn’t just about owning channels, you need to know your audience well enough to find them in the chaos.
Of course a lot of it is based on data, but instinct plays a big role too. It’s timing a release for a festival, but also knowing when to drop something on a random Tuesday because you can feel a wave building. In a world with infinite content, getting the right story to the right person at the right moment is everything.
India’s under-30 generation is unlike any before it. They’re not just digital natives; they’re digital shapers. They create trends before brands can spot them, and they abandon them just as quickly.
For them, there’s no “online” versus “offline” - it’s all one blended space. They expect to participate in the culture they consume. They want to be part of the process, not just the audience. And if you can offer them that seat at the table, they’ll reward you with loyalty, advocacy, and ideas you never saw coming.
For perhaps the first time, the world is ready — even eager — to consume Indian culture in its many forms. From fashion to music, cinema to gaming, our influence is quietly seeping into the global mainstream.
And here’s the exciting part: the convergence of technology, talent, content, and commerce means we no longer have to choose one path. A single creative idea can now live as a film, a piece of music, a virtual event, a game asset, and a physical product all at the same time.
The future belongs to those who see this as one interconnected ecosystem. If you can merge the scale of technology, the authenticity of talent, the emotional pull of content, and the monetisation power of commerce, you’re not just building a business. You’re shaping the culture that will define the next decade.
Views are personal. Author is Founder & Group CEO, Collective Artists Network.
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