Amitabh Bachchan has been in the movies for 50 years, but still works with the enthusiasm of a newcomer. He has been selected for the Dadasaheb Phalke Award this year.
The phenomenal success of a spate of Indian films in China has studio bosses excited, but is the giant Asian country going to be a sustainable market for song-and-dance dramas?
PVR has survived competition both from within the industry and video-streaming services, but with consumers spoilt for choice, what keeps India’s largest film exhibitor on its toes?
Interim finance minister Piyush Goyal announces single-window clearance for Indian filmmakers and anti-camcording provisions in the Interim Budget 2019.
Shoojit Sircar stands apart in that he not only tells a tale well, but has an eye for economy—so important to the success of his movies where the real hero is the script based on bold topics.
